{"id":1034,"date":"2025-02-14T13:41:04","date_gmt":"2025-02-14T13:41:04","guid":{"rendered":"https:\/\/multimediajournalism.eu\/?p=1034"},"modified":"2025-02-14T13:41:04","modified_gmt":"2025-02-14T13:41:04","slug":"the-artist-and-the-algorithm-how-ai-is-redefining-creativity","status":"publish","type":"post","link":"https:\/\/multimediajournalism.eu\/ukr\/blog\/2025\/02\/14\/the-artist-and-the-algorithm-how-ai-is-redefining-creativity\/","title":{"rendered":"The Artist and the Algorithm: How AI is Redefining Creativity"},"content":{"rendered":"<p>AI is transforming art, sparking debates about creativity and authorship. Artists like Klemens Oezelt use AI as a tool but hesitate to claim the title of &#8220;artist,&#8221; while Nataliia Myrna sees it as expanding human imagination. Experts are divided &#8211; some view AI as revolutionary, while others question its emotional depth. As AI evolves, the question remains: Is it just a tool, or is it redefining creativity itself?<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Multimedia feature<\/strong> by Lizi Nozadze, Tetiana Chaban, Julia St\u00fcrmer, Sofiia Melekh and Casper Brock<\/p>\n\n\n\n<p><strong>Mentor<\/strong>: Jens Lang<\/p>\n\n\n\n<p><a href=\"https:\/\/pageflow.jour.at\/ismj-ss2025-01\" target=\"_blank\" rel=\"noreferrer noopener\">Link to story<\/a><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>AI is transforming art, sparking debates about creativity and authorship. Artists like Klemens Oezelt use AI as a tool but hesitate to claim the title of &#8220;artist,&#8221; while Nataliia Myrna sees it as expanding human imagination. Experts are divided &#8211; some view AI as revolutionary, while others question its emotional depth. As AI evolves, the question remains: Is it just a tool, or is it redefining creativity itself?<\/p>","protected":false},"author":65,"featured_media":1035,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"awp_my_custom_meta":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[33,6],"tags":[34],"class_list":["post-1034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-10-ismj-2025","category-projects","tag-10-ismj-2025"],"_links":{"self":[{"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/posts\/1034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/users\/65"}],"replies":[{"embeddable":true,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/comments?post=1034"}],"version-history":[{"count":1,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/posts\/1034\/revisions"}],"predecessor-version":[{"id":1036,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/posts\/1034\/revisions\/1036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/media\/1035"}],"wp:attachment":[{"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/media?parent=1034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/categories?post=1034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/multimediajournalism.eu\/ukr\/wp-json\/wp\/v2\/tags?post=1034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}